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      <image:caption>Still from Owning the Fractures, Planetary Intimacies | Courtesy of the artist</image:caption>
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      <image:caption>Still from Those Beneath the Grass, Takuya Watanabe | Courtesy of the artist</image:caption>
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      <image:caption>Still from Liquid Spine, Augusta, Katie Pustizzi | Courtesy of the artist</image:caption>
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      <image:caption>Still from Dear One, Nora Jane Long | Courtesy of the artist</image:caption>
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      <image:caption>Still from Edén, Juan López López | Courtesy of the artist</image:caption>
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      <image:caption>Still from Ear to the Ground (Golden Monolith &amp; Black Monolith), Ulrika Sparre | Photography: Fredrik Sweger | Courtesy of Filmform</image:caption>
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      <image:title>Blog - The Living Earth | Pascale Rentsch - Make it stand out</image:title>
      <image:caption>River flowers II 2024, mixed medium on heavy weight watercolour paper, 54x44cm</image:caption>
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      <image:title>Blog - The Living Earth | Pascale Rentsch - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Coastal Sea Buckthorn 2025, mixed medium on watercolour paper, 121x153cm</image:caption>
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      <image:caption>Estuary 2022, mixed media on heavy weight watercolour paper, 58x76cm</image:caption>
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      <image:caption>January Glow 2025, mixed medium on heavy weight watercolour paper, 44x54cm</image:caption>
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      <image:caption>Hedgerow and arriving Geese, Aberlady 2023, mixed media on watercolour paper, 77x122cm</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>Arkansas &amp; St Charles Rivers I</image:caption>
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      <image:caption>River Study Two | Watercolour, 5 x 8 inches</image:caption>
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      <image:caption>The Dolores, The Take Out | The Dolores, The Rapids | The Dolores, The Put In Installation at Milk Moon Gallery</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>S.W. Colorado and parts of Utah</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>Installation view of artworks at Milk Moon Gallery</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>Installation view of artworks at Milk Moon Gallery</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>River Earths / Night Moons</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>Apishapa River II</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Rivers Feed the Trees | Meredith Nemirov - Make it stand out</image:title>
      <image:caption>River One, San Miguel | Watercoluor, 5 x 8 inches</image:caption>
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      <image:caption>Installation view of artworks at Milk Moon Gallery</image:caption>
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      <image:title>Blog - The Walking Forest - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - The Walking Forest - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.alaluz.org/blog/gravity-and-growth</loc>
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    <lastmod>2024-11-22</lastmod>
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    <loc>https://www.alaluz.org/blog/moving-a-mountain</loc>
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    <lastmod>2024-06-01</lastmod>
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    <loc>https://www.alaluz.org/blog/a-liminal-place</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-24</lastmod>
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      <image:title>Blog - A Liminal Place | Alastair &amp;amp; Fleur Mackie - Make it stand out</image:title>
      <image:caption>STACK 2 2024 | Archival pigment print | 60 x 90cm | Fishing industry trawl floats recovered from shoreline, stacked, and documented in situ | Ongoing series</image:caption>
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    <image:image>
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      <image:caption>Work in progress (detail) 2024 | Monofilament, aluminium | Dimensions variable | Photo by Steve Tanner | Misplaced fishing line recovered from shoreline, unknotted, straightened, and re-knotted to form a new singular line, approximately 550 meters in length.</image:caption>
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      <image:caption>Complex System 123 &amp; 124 2016 | Cuttlebone | 94 x 78 x 5cm framed (each part) | Cuttlebone collected from beaches and processed into components that conform to their underlying linear geometry, pieced together to create two opposing surfaces.</image:caption>
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      <image:title>Blog - A Liminal Place | Alastair &amp;amp; Fleur Mackie - Make it stand out</image:title>
      <image:caption>Mount’s Bay Stool 2022 | Sub fossilised oak (carbon-14 date 4400 to 4700 before present) | 48 x 38 x 38cm | Oak from a tree that died two and a half thousand years before the Common Era Changeover, at a time when the Great Pyramid of Giza and the standing stones of Stonehenge were being constructed. The tree lived in Mounts Bay, Cornwall, when the bay was wooded and far from the sea. It was pickled in peat, buried under sand, and submerged by the rising Atlantic Ocean for four and a half thousand years, until uncovered by a winter storm in 2020.</image:caption>
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    <loc>https://www.alaluz.org/blog/fellsfjara-iceland-zaria-forman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-06</lastmod>
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      <image:caption>Fellsfjara, Iceland, No. 11, April 24, 2022 I 2023, Soft pastel on paper</image:caption>
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      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland, No. 3, April 22, 2022 | 2023 soft pastel on paper</image:caption>
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      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland exhibition view at Winston Wächter Fine Art, New York</image:caption>
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      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland, No. 7, April 24, 2022 | 2023, soft pastel on paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/2b3f972d-fab3-4e38-bf79-f0f7ed95c6e7/3004_Final+copy.jpg</image:loc>
      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Zaria Forman at her studio</image:caption>
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      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland exhibition view at Winston Wächter Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/ef5272a8-c932-4b23-8827-2879ffb27b9b/Fellsfjara+12+copy.jpg</image:loc>
      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland, No. 5, April 22, 2022 | 2023 soft pastel on paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/068e50f5-5eed-4780-bd42-814761459859/Fellsfjara%2C+Iceland%2C+No.+5%2C+April+22%2C+2022.jpeg</image:loc>
      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland, No. 5, April 22, 2022 | 2023 soft pastel on paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/90aada16-d325-4a82-a8f8-58385a633730/Fellsfjara%2C+Iceland%2C+no.+10%2C+April+22nd%2C+2022_Final+copy.jpeg</image:loc>
      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland, No. 10, April 22, 2022 | 2023 soft pastel on paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/7cb61fe9-dfed-49b8-9197-764a093ad77b/Fellsfjara+13.jpg</image:loc>
      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland, No. 13, April 24, 2022 | 2024, soft pastel on paper</image:caption>
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    <image:image>
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      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Zaria Forman at her studio (detail)</image:caption>
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      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman - Make it stand out</image:title>
      <image:caption>Fellsfjara, Iceland exhibition view at Winston Wächter Fine Art, New York</image:caption>
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      <image:title>Blog - Fellsfjara, Iceland | Zaria Forman</image:title>
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  <url>
    <loc>https://www.alaluz.org/blog/pointsofreturn-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/28eb4e53-a0b4-44e8-b3ab-a605652b375e/DSCF2249+copy.jpg</image:loc>
      <image:title>Blog - Points of Return: An Ongoing Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alaluz.org/blog/closing-events</loc>
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    <lastmod>2024-01-22</lastmod>
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      <image:title>Blog - Call of the Orcas</image:title>
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      <image:title>Blog - Call of the Orcas</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1687216137147-SRMM3HBOMJ2RPP30TFA4/Screenshot+2023-06-19+at+15.54.23+copy.jpg</image:loc>
      <image:title>Blog - Call of the Orcas</image:title>
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  <url>
    <loc>https://www.alaluz.org/blog/the-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-24</lastmod>
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  <url>
    <loc>https://www.alaluz.org/blog/pointsofreturn2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678811923461-TZ5HOX38JK5IUUYJTVBX/2.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Miguel Sbastida, 'Slow Violence' II</image:title>
      <image:caption>© Miguel Sbastida (2018) Courtesy of the Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678811923368-Z3TNI407HNUTRC5SWRGH/7.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - 'Slow Violence' VII</image:title>
      <image:caption>Miguel Sbastida (2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678811929547-3G8PLG8ER67KL28T4D87/9.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - 'Slow Violence' IX</image:title>
      <image:caption>Miguel Sbastida (2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678811929612-RABX2Z6Q0O2O37MUXVTO/10.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - 'Slow Violence' X</image:title>
      <image:caption>Miguel Sbastida (2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1679063302604-4AHYSGCYATM6PF9TA1OE/2.JPG</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Miguel Jeronimo, 'Jungle on my Mind' II</image:title>
      <image:caption>© Miguel Jeronimo (2019) Courtesy of the Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1679063301258-A4NMK09URM8CPFGRB7QY/4.JPG</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - 'Jungle on my Mind' IV</image:title>
      <image:caption>Miguel Jeronimo (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1679063310411-IZYGSBNL7KWN4X6ZPE94/5.JPG</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - 'Jungle on my Mind' V</image:title>
      <image:caption>Miguel Jeronimo (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678890486761-R3A5M0YASA6JTMNBH8PK/PlanetaryIntimaciesPortrait2.jpeg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Planetary Intimacies</image:title>
      <image:caption>A field research project on location in Iceland</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678812399499-42X984KDVA1HOU9E6KSL/InTheLiquidDesert_25m47s_DigitalVideo_01.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Collin Bradford, In the Liquid Desert</image:title>
      <image:caption>digital video (still) | 25m 47s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678812400003-I5R7RLOZQRNRFA1IQ2S5/InTheLiquidDesert_25m47s_DigitalVideo_02.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Collin Bradford, In the Liquid Desert</image:title>
      <image:caption>digital video (still) | 25m 47s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678812402438-A54SZX420L5E6KSYLFVV/InTheLiquidDesert_25m47s_DigitalVideo_03.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Collin Bradford, In the Liquid Desert</image:title>
      <image:caption>digital video (still) | 25m 47s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678812720513-HX2X10A8CUIZ80QHLLNX/02.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Evalie Wagner, Avantgarden, Botanical Garden Munich-Nymphenburg</image:title>
      <image:caption>digital video (still) | 2022 | 1m 38s video: Maximilian Haidacher sound: Caminauta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678812725401-SFLA1WL8C9M2ZVZPE0WN/03.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Evalie Wagner, Avantgarden, Botanical Garden Munich-Nymphenburg</image:title>
      <image:caption>digital video (still) | 2022 | 1m 38s video: Maximilian Haidacher sound: Caminauta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1678812728023-B0IBOT1H902N3U650ZTF/04.jpg</image:loc>
      <image:title>Blog - Points of Return: Opening May 2023 - Evalie Wagner, Avantgarden, Botanical Garden Munich-Nymphenburg</image:title>
      <image:caption>digital video (still) | 2022 | 1m 38s video: Maximilian Haidacher sound: Caminauta</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alaluz.org/blog/jean-gillespie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676636020010-GLZMU6ZA1HLE1VR85A9F/Blue+Horizon%2C+2022%2C+89+x+52+cm%2C+Lithograph+on+Japanese+paper.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Blue Horizon</image:title>
      <image:caption>lithograph on Japanese paper, 89 x 52cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676636019850-LU0P1G792GBE1L6AE411/Flow%2C+2022%2C+89+x+52+cm%2C+Lithograph+on+Japanese+paper.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Flow</image:title>
      <image:caption>lithograph on Japanese paper, 89 x 52cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676633880685-JDIMW0QURNUPFJ8LKZPQ/7.+Storm+Dance+.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Storm Dance</image:title>
      <image:caption>ink and pastel on Japanese paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676633877196-IPZYYNBMSOOPVOV5OAN3/7a.+%2522Ocean+Drift%2522+ink+and+pastel+on+japanese+paper%2C+w32+x+h25..jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Ocean Drift</image:title>
      <image:caption>ink and pastel on Japanese paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676633882717-DFVOX43R53MUKWRH96WJ/8.+Passing+Place.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Passing Place</image:title>
      <image:caption>ink and pastel on Japanese paper scroll, 100 x 230cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676633886482-PPDUJJAUVMCTKGTPOS4X/11.+Release%2C+graphite+on+Japanese+paper%2C+w64+x+h97.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Release</image:title>
      <image:caption>graphite on Japanese paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676633887719-RM2YXVG39DN04Y74YWJ7/12a.+Paradox+%231%2C+graphite+and+pastel+on+Japanese+paper%2C+w64+x+h61.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Paradox #1</image:title>
      <image:caption>graphite and pastel on Japanese paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676633890476-OS1YIQBDX1XEN1CKM3FU/12b.+Paradox+%232%2C+graphite+and+pastel+on+Japanese+paper%2C+w64+x+h61..jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Paradox #2</image:title>
      <image:caption>graphite and pastel on Japanese paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676634452185-BF2593CEIAMK2LVT8MVW/Peat+drawing.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Compression</image:title>
      <image:caption>Peat on Japanese paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676635335271-FSD92T4B0K1JAZTAL437/Lichen+Shift%2C+2021%2C+26+x+20+cm%2C+Lithograph.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Lichen Shift</image:title>
      <image:caption>lithograph, 26 x 20cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1676635335388-7DW2OAIO1A643UYFS8V2/Lichen+Swirl%2C+2021%2C+27+x+23+cm%2C+Lithograph.jpg</image:loc>
      <image:title>Blog - Looking for Traces | Jean Gillespie - Lichen Swirl</image:title>
      <image:caption>lithograph, 27 x 23cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alaluz.org/blog/richard-mosse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/23b32529-9701-47bd-b550-0df2c3606db4/Still+from+Broken+Spectre%2C+2022+13.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Make it stand out</image:title>
      <image:caption>Still from Broken Spectre (2022) five channel 4K video with 20.4 surround sound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/6766b507-62f2-4d6c-992d-37719ace4afc/Richard+Mosse_Broken+Spectre.+Photo+by+Jack+Hems1.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Make it stand out</image:title>
      <image:caption>Framed stills from Broken Spectre (2022) Image: Jack Hems</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/28a4cd7f-d175-4dc9-89dd-c2d07bccefc2/Still+from+Broken+Spectre%2C+2022+2.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Make it stand out</image:title>
      <image:caption>Still from Broken Spectre (2022) five channel 4K video with 20.4 surround sound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/ec306a90-178f-4278-9c60-19b7a0f15dee/Still+from+Broken+Spectre%2C+2022+7.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Make it stand out</image:title>
      <image:caption>Broken Spectre (2022) The emulsion of Kodak HIE high-speed infrared film, used to make this image, is especially sensitive to heat and humidity. Environmental effects can be seen expressed on the materiality of the film itself.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/33620c9c-0ac1-47f2-a0fd-bbf98a17e15f/Still+from+Broken+Spectre%2C+2022+4.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Make it stand out</image:title>
      <image:caption>Still from Broken Spectre (2022) five channel 4K video with 20.4 surround sound Courtesy of the artist, 180 The Strand/180 Studios, Jack Shainman Gallery, New York and carlier | gebauer, Berlin/Madrid © Richard Mosse Co-commissioned by the National Gallery of Victoria, VIA Art Fund, the Westridge Foundation and Serpentine Galleries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/e2c347c2-73d8-4d9f-91e5-273096cf19f1/Still+from+Broken+Spectre%2C+2022+1.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Make it stand out</image:title>
      <image:caption>“Some are incredibly aesthetic, producing rich lipstick reds and purples along the riverbanks of a charred forest, showing quite clearly the stress to remaining plant life, some of which was half burned, and in the process of dying. The colours are often quite electric, yet, articulated over such highly detailed organic landscapes, the resulting images feel very fragile. This work conveys frangible organic matter dominated by extractive violence at the hand of man. They are living maps, showing signs of life, but evoke die-back, tipping points and ecocide,” Mosse writes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1668010351502-RFSHYIA7XABZ41MAS4C5/Richard+Mosse_Broken+Spectre.+Photo+by+Jack+Hems5.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Broken Spectre (2022)</image:title>
      <image:caption>Adneia, of the Yanomami community, speaks with passion to camera for seven minutes demanding help. She exclaims: “You white people, see our reality. Open your minds. Don’t let us talk so gallantly and do nothing. White people! Tell your fathers and mothers. Explain to them.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1668010351494-7V5APUICMLFKNST9S104/Richard+Mosse_Broken+Spectre.+Photo+by+Jack+Hems6.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Installation image: Jack Hems</image:title>
      <image:caption>Adneia, of the Yanomami community, speaks with passion to camera for seven minutes demanding help. She exclaims: “This is not your land, we will never give up what’s ours.”</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/c896091b-8423-49ab-a880-81391967b45b/Richard+Mosse_Broken+Spectre.+Photo+by+Jack+Hems2.jpg</image:loc>
      <image:title>Blog - Broken Spectre - Make it stand out</image:title>
      <image:caption>Broken Spectre (2022) five channel 4K video with 20.4 surround sound | Image: Jack Hems | Courtesy of 180 The Strand</image:caption>
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  </url>
  <url>
    <loc>https://www.alaluz.org/blog/andreas-philippopoulos-mihalopoulos</loc>
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    <priority>0.5</priority>
    <lastmod>2022-11-09</lastmod>
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      <image:title>Blog - Our Distance Became Water - Make it stand out</image:title>
      <image:caption>Sinking City XXI</image:caption>
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      <image:title>Blog - Our Distance Became Water</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/ceb09350-0cd2-410e-a5ed-3f4f7c7be810/Water+Slider+1.jpg</image:loc>
      <image:title>Blog - Our Distance Became Water - Dineo Seshee Bopape</image:title>
      <image:caption>Dineo Seshee Bopape’s immersive installation at Ocean Space (part of the series The Soul Expanding Ocean) is “a further step in her practice towards the marriage of the earth and the memory of the Ocean.” This dreamlike three channel film is both a physical and investigative journey for the artist, presented within the church of San Lorenzo.</image:caption>
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      <image:title>Blog - Our Distance Became Water - Make it stand out</image:title>
      <image:caption>Sinking City XXII (detail)</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Sinking City XXII (detail)</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Our Distance Became Water - Lara Fluxà</image:title>
      <image:caption>Lara Fluxà’s project LLIM (Silt), at the Catalan pavilion, is an organism that temporarily displaces water from the Canal di San Pietro. Via a tubular glass network, canal water circles the gallery space, leaving behind evidence of its passage. Water and glass, two idiosyncratic materials that have played a key role in Venice’s history, become inseparable with this installation; two sides of the same landscape, both natural and cultural.</image:caption>
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      <image:title>Blog - Our Distance Became Water - Make it stand out</image:title>
      <image:caption>Direction Interrupted</image:caption>
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    <loc>https://www.alaluz.org/blog/elisabeth-smolarz</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2024-10-15</lastmod>
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      <image:caption>Tiger: Extinct Spring 2023</image:caption>
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      <image:title>Blog - Seeing a Tiger Didn’t Change Who I Am - Make it stand out</image:title>
      <image:caption>Pongo Pygmaeus Wurmii Mother Orangutan with her Young in their Natural Habitat: Extinct 2027</image:caption>
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      <image:caption>Bombus affinis / Rusty Patched Bumble Bee Collecting Nectar: Extinct 2025</image:caption>
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      <image:title>Blog - Seeing a Tiger Didn’t Change Who I Am - Make it stand out</image:title>
      <image:caption>Vaquita: Extinct 2022</image:caption>
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    <loc>https://www.alaluz.org/blog/guadalupe-plaza-petersen</loc>
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    <lastmod>2022-09-26</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - A Return to Paradise - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - A Return to Paradise - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Favela Offshore #2 (2021) | Video projection | 12:00” monochrome (stereo) | Felipe de Avila: How to Postpone the End</image:caption>
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      <image:caption>From Jungle on my Mind former poachers turned forest rangers | Photographic series | Miguel Jeronimo</image:caption>
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      <image:caption>Slow Violence (2021) | The creation of the work | Glacial melt upon blue-tinted sheets of paper | Miguel Sbastida: Slow Violence</image:caption>
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      <image:caption>Portsoy | 8 layers of blue and black ballpoint pen on yupo paper | 30cm x 42cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1613413798044-DK3OEFC9W1BWVCQLZ0EN/roy_map.png</image:loc>
      <image:title>Blog - Environmental Machine Drawing | Simon Kirby</image:title>
      <image:caption>Roy Military Survey map of south Edinburgh 1747-1755, showing the original course of the Jordan Burn</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1613413076405-PCHXLJW9BXPQJMR98A6U/Caption%3A+The+Axidraw+plotting+robot.+I+often+use+standard+office+ballpoint+pen+refills+with+the+robot%2C+with+elastic+bands+controlling+the+degree+of+pressure+on+the+paper.</image:loc>
      <image:title>Blog - Environmental Machine Drawing | Simon Kirby</image:title>
      <image:caption>The Axidraw plotting robot at work | Simon often uses standard office ballpoint pen refills with the robot – elastic bands control the degree of pressure on the paper</image:caption>
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    <image:image>
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      <image:title>Blog - Environmental Machine Drawing | Simon Kirby</image:title>
      <image:caption>The robot can also hold fountain pens at an angle, allowing the use of hand-mixed document ink</image:caption>
    </image:image>
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  <url>
    <loc>https://www.alaluz.org/blog/pointsofreturn-opencall</loc>
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    <lastmod>2023-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.alaluz.org/blog/twenty-twenty</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
    <image:image>
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      <image:title>Blog - 2020 - A Deeper Part of Existence</image:title>
      <image:caption>Amy Friend</image:caption>
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    <image:image>
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      <image:title>Blog - 2020 - Designing for the Future</image:title>
      <image:caption>Carolina Härdh</image:caption>
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    <image:image>
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      <image:title>Blog - 2020 - Breathing Space</image:title>
      <image:caption>Helen Glassford</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1608391204448-8ID7CBLAMERZXGI7QU4J/Borderland.jpg</image:loc>
      <image:title>Blog - 2020 - Ongoing Arctic Dialogues</image:title>
      <image:caption>Jane Rushton</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1608391350737-5S7F9TAMTCSWDTBIOIRU/Tregardock+%2315+-+Pastel%2C+condensed+charcoal%2C+mud+and+wax+on+paper+-+66x53cm+-+available.+.jpg</image:loc>
      <image:title>Blog - 2020 - The Art of Place</image:title>
      <image:caption>Tim Steward</image:caption>
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    <image:image>
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      <image:title>Blog - 2020 - Coming Together</image:title>
      <image:caption>Andrew Mackenzie</image:caption>
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    <image:image>
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      <image:title>Blog - 2020 - Wonder Junkie</image:title>
      <image:caption>Simon Faithfull</image:caption>
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    <image:image>
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      <image:caption>Caroline McGonigal</image:caption>
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    <image:image>
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      <image:title>Blog - 2020 - The Art of Salvage</image:title>
      <image:caption>Camilla Brendon</image:caption>
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      <image:title>Blog - 2020 - Wrapped Up</image:title>
      <image:caption>Mattias Käll</image:caption>
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  <url>
    <loc>https://www.alaluz.org/blog/partridge-faithfull-interview</loc>
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    <lastmod>2021-02-16</lastmod>
    <image:image>
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      <image:title>Blog - Simon Faithfull: Interviewed by Rebecca Partridge</image:title>
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      <image:title>Blog - Simon Faithfull: Interviewed by Rebecca Partridge</image:title>
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      <image:title>Blog - Simon Faithfull: Interviewed by Rebecca Partridge</image:title>
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    <image:image>
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      <image:title>Blog - Simon Faithfull: Interviewed by Rebecca Partridge</image:title>
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      <image:title>Blog - Simon Faithfull: Interviewed by Rebecca Partridge</image:title>
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      <image:title>Blog - Simon Faithfull: Interviewed by Rebecca Partridge</image:title>
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  <url>
    <loc>https://www.alaluz.org/blog/recommended-reading-3</loc>
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    <lastmod>2021-12-13</lastmod>
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      <image:title>Blog - Books to Influence Change: Part III</image:title>
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      <image:title>Blog - Books to Influence Change: Part III</image:title>
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      <image:title>Blog - Books to Influence Change: Part III</image:title>
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      <image:title>Blog - Books to Influence Change: Part III</image:title>
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    <image:image>
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      <image:title>Blog - Books to Influence Change: Part III</image:title>
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  <url>
    <loc>https://www.alaluz.org/blog/amy-friend</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1602778144792-MWQLDD6XIXW34EE9BYL4/behindthecurtain</image:loc>
      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>Behind the Curtain</image:caption>
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    <image:image>
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      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>We Gather to See</image:caption>
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    <image:image>
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      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>Kingston 1933</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1602778317329-7D0QFNFBBJB44NTPDUGC/watersrising</image:loc>
      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>Waters Rising</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1602778207168-7ZFJQMUTF8EMU2XZ8B0Y/wayfindingincoldlight</image:loc>
      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>Wayfinding in Cold Light</image:caption>
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    <image:image>
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      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>Title TBA</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>There was nothing like that night, remember it?</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1602779771386-ESRG9I1P76EMEWAZL5WK/oystersea</image:loc>
      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>Oyster Sea</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1602778765904-416NRFXTRA2IJ6LDL13X/saltsoaked</image:loc>
      <image:title>Blog - Q&amp;amp;A with Amy Friend</image:title>
      <image:caption>Title TBA</image:caption>
    </image:image>
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  <url>
    <loc>https://www.alaluz.org/blog/jane-rushton</loc>
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    <priority>0.5</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598475585150-GJ2QQIJAUIPGTJTHI7N4/Residual+Traces</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
      <image:caption>Residual Traces 2009 | Used filter papers on paper, approx. 30 x 30cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598474071532-D4DVL5X0DFQNW9VVN9S4/Elemental+Journey</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
      <image:caption>Elemental Journey 2014 | Mixed media on paper, 30 x 30cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598473536883-IRUNN0633AIXPYTMY6ME/Sketchbook+lichen-gneiss</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598473959438-ACV0OWZHDQXSFV713AVX/Borderland</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
      <image:caption>Borderland 2014 | Mixed media on paper, 30 x 30cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598473485121-EBPQNAME1SXPJ0B57H98/Sketchbook+Kapisillit</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598474156025-WN2AZ4SHJ7N55W2F03U7/Svalbard+snow+sampling</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
      <image:caption>Snow-sampling in the field in Svalbard</image:caption>
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    <image:image>
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      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
      <image:caption>Terra Incognita 2010/11 | Fine-liner pen and watercolour on paper, approx. 80 x 80cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598476001596-5J6P2HF5VNRMCOZHSTSG/Ilulissat+Sketchbook+page</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598475145187-GQWLP5BF7VVVL3C3S1YT/Icefjord+II.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
      <image:caption>Example of early Greenland work: Icefjord II 2006 | Acrylic on canvas, 100 x 100cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1598475652910-UIM8EZEJON4NCBZEPWAV/Mapscape+I</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part III</image:title>
      <image:caption>Mapscape I 2010 | Graphite suspension and pencil on paper, approx. 30 x 30cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alaluz.org/blog/angela-gilmour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595944871979-3761I0ISW1XN29BOELR0/Angela+Gilmour+Toxic+Wednesday+2019.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Toxic Wednesday 2019 | Etching, 65 x 51cm</image:caption>
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    <image:image>
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      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Blood Rain Thursday 2019 | Etching, 65 x 51cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595946582979-FSVSRSOQ431GO0CRTEED/Studying+glacier+calving.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Studying glacier calving</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595948459180-Z6106TIKDKY1H5T53PEA/Land+of+Some+Other+gallery+view.JPG</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Right: At 80° North, cracks are forming 2020 | Oil on wood | Gallery view Land of Some Other Order at the Lavit Gallery in Cork, Ireland, curated by Paul McAree for the 30th anniversary of the Backwater Artists Studios</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595948863705-A3U2JQW1ASEXLAV5PCV5/one+morning+rubbish+collection+from+beach.JPG</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595946473695-QF1OAOVYE1A80S9DFOA1/Sailing+Antigua.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Sailing in the Arctic Circle on the tall ship Antigua</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595946758252-H3T3TMJBC96BUOEPPSC2/Angela+Gilmour+The+Retreat+of+Fridtjovbreen%2C+2019%2C+oil+on+wood%2C+80x100cm.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>The Retreat of Fridtjovbreen 2019 | Oil on wood, 80 x 100cm Currently Shortlisted for Royal Hibernian Academy Exhibition (Oct 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595949359770-Y64VVGMILSXINTZQ2XKV/Abstact+Arctic+%2C+experimenting+at+Cork+Printmakers.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Abstract Arctic June 2020 | Experimenting at Cork Printmakers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595946140993-Y26JGV8AD93UIXPBMWHH/Angela+Gilmour+Foreboding+Shores+2020+.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Foreboding Shores 2020 | Etching, 51 x 65cm Abandoned coal barge in the Arctic Circle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595948255130-TKOAQGTXF20NJI0XX11Y/Dansoy+i%2C+2019%2C+oil+on+wood%2C+23x30cm.jpg</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
      <image:caption>Dansoy I 2019 | Oil on wood, 23 x 30cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1595948690715-8QSOCL3A45JBTM9AJGXX/Sailing+in+TShirts</image:loc>
      <image:title>Blog - A La Luz: Arctic | Part II</image:title>
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      <image:caption>Painting is my constant, and I will continue to paint – somewhat intermittently – the constantly changing personality of the Scottish Landscape.</image:caption>
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      <image:caption>From Sophie Mason’s Barcelona series 2019 | Avocado ink, walnut ink, rust, fire embers, olive oil, cherry blossom water, forest floor dust, Mediterranean sea water, sand, rain water, tramontana, rosemary water, lavender water on canvas | 35 x 25 cm Read an interview with Sophie here</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1584985865801-2BVRTADU9HJO4ADTVGLL/Carolina+H%C3%A4rdh</image:loc>
      <image:title>Blog - Art in a Time of Climate Crisis: Part I</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1584983614391-61ZD40TFOPKWK1SW1VW5/CB+at+Work.jpg</image:loc>
      <image:title>Blog - Art in a Time of Climate Crisis: Part I</image:title>
      <image:caption>Left: Coast – Hertford Union Canal 2019 | Camilla at Chisenhale Studios | Right: Living Canal Mobiles 2019 | Salvaged fenders, rope, freshwater plants | 120 cm – 70 cm long | Photo credit: Georgia Metaxas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1584981380552-AC5JLMPE9R3KJPDLOQ70/Louise+Barrington+2</image:loc>
      <image:title>Blog - Art in a Time of Climate Crisis: Part I</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1585063554141-P390KNNBC7TF7TSWPJ8B/Katherine+Taylor+Sketchbook+2</image:loc>
      <image:title>Blog - Art in a Time of Climate Crisis: Part I</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1584967760870-GFZ1E6DJ8293LYPYP6P7/Andrew+Mackenzie</image:loc>
      <image:title>Blog - Art in a Time of Climate Crisis: Part I</image:title>
      <image:caption>Dusk Barn, Snow (detail) 2019 | Charcoal, soft pastel, gouache | 50 x 65.5 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1584978234015-DAWNIRD1JVTGOA88EBES/AM3</image:loc>
      <image:title>Blog - Art in a Time of Climate Crisis: Part I</image:title>
      <image:caption>Service Station I 2016 | Goache, soft pastel | 150 x 115 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1585063483451-Y3F0CDTXD1FE79I7LG35/Katherine+Taylor+Sketchbook</image:loc>
      <image:title>Blog - Art in a Time of Climate Crisis: Part I</image:title>
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  <url>
    <loc>https://www.alaluz.org/blog/process</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-23</lastmod>
  </url>
  <url>
    <loc>https://www.alaluz.org/blog/eryngium-proteiflorum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-24</lastmod>
    <image:image>
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      <image:title>Blog - Eryngium proteiflorum</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1579406160215-P22K1D88KGIYWZQ34BGL/image-asset.jpeg</image:loc>
      <image:title>Blog - Eryngium proteiflorum</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1579406129118-73G5P0DIAYNI8PZ57H2D/image-asset.jpeg</image:loc>
      <image:title>Blog - Eryngium proteiflorum</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578888128538-4UYM5TMWDF0N9I5IHDYY/Eryngium_300dpi</image:loc>
      <image:title>Blog - Eryngium proteiflorum</image:title>
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  <url>
    <loc>https://www.alaluz.org/blog/athens-ii</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578561625910-HXFDGCQZ19OXAOJF0UON/Athens</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578523415854-SO0JBUUTFHQAN0Z1MQW3/Athens</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578524611355-QGLHO7XED6S1IHE2Y9X1/Athens</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578526148511-OUP8JWRREGPB64BFFZLK/SNFCC</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578561495971-Z7H07Q3V1R56K7NVRXCJ/SNFCC+Canal</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578521552099-FM4HB6BIHQHNX0Y4XNJU/Athens</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578524463544-AYKOX9SIOC8OOWELT6WD/SNFCC</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578524244930-KYXBFCXLW80G63XMGT3B/SNFCC</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578563772874-F9PQH0S4376KXJZ1SAWI/SNFCC</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578563720486-4F7LKKQTIJ39QTEA4GC3/SNFCC+Green+Roof</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578521635956-88IL466X8DK51FC32RDL/Athens+Kallithea</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
      <image:caption>Frames formed by a canopy and pillars crop out the marginal zone below the building, offering instead a panoramic seascape surrounded by wild grasses.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578525403714-Z87Q9N45XK6APPMYEJC4/Athens</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578523623950-5EIFBZMBBLEQVWJJNN19/Athens</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578525523419-WHYD0NTP2XLPVO5X74Z8/SNFCC</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578523522870-V2RM0BMRAR5KX0WJGIXN/SNFCC</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578564138363-OR1M8V3FX6ZJLZXHAG2U/SNFCC</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
      <image:caption>The SNFCC has been constructed with sustainability at its core, demonstrating the very highest environmental standards. It’s a work of contrasts: packed with myriad features, yet minimalist in design; elegant and yet functional; immense in scale and yet successfully integrated within the urban landscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1578563681469-NUC6AIXZ0CHTHLH0U6FQ/SNFCC+Green+Roof</image:loc>
      <image:title>Blog - Athens | Part II</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Athens | Part II</image:title>
      <image:caption>A canal, measuring 30 x 400m, constitutes a vital architectural element and a figurative extension of the adjacent sea. This wide water surface area, measuring 12000m2 creates a favourable climate in the Park and the surrounding area. The canal is filled with seawater and provides flood protection against heavy rains.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alaluz.org/blog/anselm-kiefer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-04</lastmod>
    <image:image>
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      <image:title>Blog - Scorched Earth</image:title>
      <image:caption>Installation view featuring The Veneziano Amplitude &amp; Die Sieben Siegel, die Geheime Offenbarung des Johannes</image:caption>
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    <image:image>
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      <image:title>Blog - Scorched Earth</image:title>
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    <image:image>
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      <image:title>Blog - Scorched Earth</image:title>
      <image:caption>Der Gordische Knoten 2019 | Oil, emulsion, acrylic, shellac, wood &amp; metal on canvas | 280 x 380 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1577622464269-0NZ5LKAHGG0STOJC633L/Anselm+Kiefer+at+White+Cube+by+A+La+Luz</image:loc>
      <image:title>Blog - Scorched Earth</image:title>
      <image:caption>Ramanujan Summation (detail) 2019 | Oil, emulsion, acrylic, shellac &amp; wood on canvas | 660 x 665 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1577559435937-4YD0E1Z2HWOOA8BL3VSR/Anselm+Kiefer__15.jpg</image:loc>
      <image:title>Blog - Scorched Earth</image:title>
      <image:caption>Die Sieben Siegel, die Geheime Offenbarung des Johannes (detail) 2019 | Oil, emulsion, acrylic, shellac, wood &amp; burnt books on canvas | 470 x 950 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1577560088063-IDR9W903WEYBA5IZ1606/Anselm+Kiefer+at+White+Cube%2C+9x9x9</image:loc>
      <image:title>Blog - Scorched Earth</image:title>
      <image:caption>Ramanujan Summation (detail) 2019 | Oil, emulsion, acrylic, shellac &amp; wood on canvas | 660 x 665 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1577557916505-OV2V04QFAWKQ8OVO6GEQ/Anselm+Kiefer</image:loc>
      <image:title>Blog - Scorched Earth</image:title>
      <image:caption>Superstrings 2018–2019 | Oil, emulsion, acrylic, shellac, wood &amp; straw on canvas | 280 x 760 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1577561582730-4FQRU38IVUO8FCC1HXLA/Anselm+Kiefer</image:loc>
      <image:title>Blog - Scorched Earth</image:title>
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    <image:image>
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      <image:title>Blog - Scorched Earth</image:title>
      <image:caption>Ramanujan Summation 1/12 2019 | Oil, emulsion, acrylic, shellac &amp; wood on canvas | 660 x 665 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5ec8bd02a86d0001a9a649/1577561007469-IA9GOGN1G5ST60DC3H5G/Anselm+Kiefer</image:loc>
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      <image:caption>Die Lebenden und die Toten 2019 | Oil, emulsion, acrylic, shellac &amp; straw on canvas | 470 x 560 cm</image:caption>
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      <image:caption>Die Sieben Siegel, die Geheime Offenbarung des Johannes 2019 | Oil, emulsion, acrylic, shellac, wood &amp; burnt books on canvas | 470 x 950 cm</image:caption>
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      <image:caption>Der Gordische Knoten 2019 | Oil, emulsion, acrylic, shellac, wood &amp; metal on canvas | 280 x 380 cm</image:caption>
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  <url>
    <loc>https://www.alaluz.org/blog/ataani</loc>
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    <lastmod>2020-01-22</lastmod>
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      <image:caption>Acqua Alta in December 1903 | Piazza S. Marco</image:caption>
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    <lastmod>2021-02-16</lastmod>
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  <url>
    <loc>https://www.alaluz.org/blog/culture-underwater</loc>
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    <lastmod>2020-01-08</lastmod>
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      <image:caption>Host 2019 | Antony Gormly | Royal Academy, London</image:caption>
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      <image:caption>The Flood of 1966 Leaves Florence a Legacy of Work and Fear | The New York Times (30.12.66)</image:caption>
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      <image:caption>4.11.66 | Author unknown | Archive newspaper cutting</image:caption>
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      <image:caption>An original wire-photo from November 25th 1966: restorers cleaning Gaddi’s The Last Supper (1334–1366)</image:caption>
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    <loc>https://www.alaluz.org/blog/isak-anshelm</loc>
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    <lastmod>2020-03-23</lastmod>
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      <image:caption>Redeemer 2015 | Oil on canvas | 147 x 157 cm</image:caption>
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      <image:caption>A Sea of Regret XII 2019 | Oil on canvas | 95 x 135 cm</image:caption>
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      <image:caption>Monocropping 2014 | Oil on canvas | 135 x 250 cm</image:caption>
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      <image:caption>Vitality Air 2017 | Oil on canvas | 157 x 167 cm, 100 x 150 cm &amp; 200 x 135 cm</image:caption>
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      <image:caption>Sea of Regret VII 2018 | Oil on canvas | 40 x 55 cm</image:caption>
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    <loc>https://www.alaluz.org/blog/equinox-i</loc>
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    <lastmod>2019-12-07</lastmod>
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    <lastmod>2020-02-10</lastmod>
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